Book recommendations for when the villain gets the girl
MORALLY GREY MEN THAT WE LOVE
When the villain gets the girl in a book, it means that the villain has won out over the hero or good guy and has been able to obtain the romantic interest of the female protagonist. This outcome is often unpredictable and can add tension and drama to the story.
LIST OF BOOKS WHERE THE VILLIAN GETS THE GIRL
- LEMONADE by Nina Pinacchi
- Wicked Like a Wildfire by Lana Popović
- MIDNIGHT HUNTER by Brianna Hale
- The Cruel Prince (The Folk of the Air, #1) by Holly Black
- Sweet Evil (The Sweet Trilogy, #1) by Wendy Higgins
- The Darkest Minds (The Darkest Minds, #1) by Alexandra Bracken
- Red Queen (Red Queen, #1) by Victoria Aveyard
- A Court of Thorns and Roses (A Court of Thorns and Roses, #1) by Sarah J. Maas
- Ruin and Rising by Leigh Bardugo
- Grave Mercy (His Fair Assassin, #1) by Robin LaFevers
Why do authors write books where the villain gets the girl?
Authors may write books where the villain gets the girl to add complexity and depth to the story, as well as to the characters themselves. For example, it could explore the complexity of morality, or the idea of redemption through love. It also adds a layer of unexpected suspense and mystery that readers may find captivating. Additionally, it allows for a bit of wickedness and intrigue, subverting expectations, and pulling readers in unexpected directions.
As a young woman in Victorian England, Anna Champion knows all too well the social mores that value prettiness over sense, and etiquette over honesty. But when she stands up to the boorishness of dashing Christopher Davenport at a summertime ball, Anna unwittingly attracts his wrath—and becomes entangled in his malicious scheming.
After a lifetime of harboring shame and resentment, Christopher, a ruthless con artist, wants revenge, and unfortunately for Anna, he’s decided that she will be the perfect pawn in his terrible plot. With a fierceness of spirit uncommon in well-bred young ladies in the nineteenth century, Anna will have to use her intelligence and courage to protect her loved ones. But can she also save herself?
All the women in Iris and Malina’s family have the unique magical ability or “gleam” to manipulate beauty. Iris sees flowers as fractals and turns her kaleidoscope visions into glasswork, while Malina interprets moods as music. But their mother has strict rules to keep their gifts a secret, even in their secluded sea-side town. Iris and Malina are not allowed to share their magic with anyone, and above all, they are forbidden from falling in love.
But when their mother is mysteriously attacked, the sisters will have to unearth the truth behind the quiet lives their mother has built for them. They will discover a wicked curse that haunts their family line—but will they find that the very magic that bonds them together is destined to tear them apart forever?
Wicked Like a Wildfire is the first in a two-book series. Readers will be rapt with anticipation for the sequel.
He’s hunting me, and there’s nowhere to run.
East Berlin, 1963. I thought I understood the consequences of trying to flee to the West. Death. Imprisonment without trial. Instead I’m being hunted by the most dangerous man in the city, secret police officer Reinhardt Volker.
Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.
To win a place at the Court, she must defy him–and face the consequences.
In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
Embrace the Forbidden
What if there were teens whose lives literally depended on being bad influences?
This is the reality for sons and daughters of fallen angels.
Tenderhearted Southern girl Anna Whitt was born with the sixth sense to see and feel emotions of other people.
She’s aware of a struggle within herself, an inexplicable pull toward danger, but it isn’t until she turns sixteen and meets the alluring Kaidan Rowe that she discovers her terrifying heritage and her willpower is put to the test. He’s the boy your daddy warned you about. If only someone had warned Anna.
Forced to face her destiny, will Anna embrace her halo or her horns?
Book one in the hit series that’s soon to be a major motion picture starring Amandla Stenberg and Mandy Moore–now with a stunning new look and an exclusive bonus short story featuring Liam and his brother, Cole.
When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that got her sent to Thurmond, a brutal government “rehabilitation camp.” She might have survived the mysterious disease that killed most of America’s children, but she and the others emerged with something far worse: frightening abilities they cannot control.
Now sixteen, Ruby is one of the dangerous ones.
But when the truth about Ruby’s abilities–the truth she’s hidden from everyone, even the camp authorities–comes out, Ruby barely escapes Thurmond with her life. On the run, she joins a group of kids who escaped their own camp: Zu, a young girl haunted by her past; Chubs, a standoffish brainiac; and Liam, their fearless leader, who is falling hard for Ruby. But no matter how much she aches for him, Ruby can’t risk getting close. Not after what happened to her parents.
While they journey to find the one safe haven left for kids like them–East River–they must evade their determined pursuers, including an organization that will stop at nothing to use Ruby in their fight against the government. But as they get closer to grasping the things they’ve dreamed of, Ruby will be faced with a terrible choice, one that may mean giving up her only chance at a life worth living.
Graceling meets The Selection in debut novelist Victoria Aveyard’s sweeping tale of seventeen-year-old Mare, a common girl whose once-latent magical power draws her into the dangerous intrigue of the king’s palace. Will her power save her or condemn her?
Mare Barrow’s world is divided by blood–those with common, Red blood serve the Silver- blooded elite, who are gifted with superhuman abilities. Mare is a Red, scraping by as a thief in a poor, rural village, until a twist of fate throws her in front of the Silver court. Before the king, princes, and all the nobles, she discovers she has an ability of her own.
To cover up this impossibility, the king forces her to play the role of a lost Silver princess and betroths her to one of his own sons. As Mare is drawn further into the Silver world, she risks everything and uses her new position to help the Scarlet Guard–a growing Red rebellion–even as her heart tugs her in an impossible direction. One wrong move can lead to her death, but in the dangerous game she plays, the only certainty is betrayal.
When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.
At least, he’s not a beast all the time.
As she adapts to her new home, her feelings for the faerie, Tamlin, transform from icy hostility into a fiery passion that burns through every lie she’s been told about the beautiful, dangerous world of the Fae. But something is not right in the faerie lands. An ancient, wicked shadow is growing, and Feyre must find a way to stop it, or doom Tamlin-and his world-forever.
From bestselling author Sarah J. Maas comes a seductive, breathtaking book that blends romance, adventure, and faerie lore into an unforgettable read.
Soldier. Summoner. Saint. The nation’s fate rests with a broken Sun Summoner, a disgraced tracker, and the shattered remnants of a once-great magical army.
The Darkling rules from his shadow throne while a weakened Alina Starkov recovers from their battle under the dubious protection of the zealots who worship her as a Saint. Now her hopes lie with the magic of a long-vanished ancient creature and the chance that an outlaw prince still survives.
As her allies and enemies race toward war, only Alina stands between her country and a rising tide of darkness that could destroy the world. To win this fight, she must seize a legend’s power―but claiming the firebird may be her ruin.
Packed with love, magic, and deadly games of courtly intrigue and treason, book one of Robin LaFevers’s fast-paced YA trilogy set in 15th-century France combines romance with captivating action.
Why be the sheep, when you can be the wolf?
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others.
Ismae’s most important assignment takes her straight into the high court of Brittany—where she finds herself woefully under prepared—not only for the deadly games of intrigue and treason, but for the impossible choices she must make. For how can she deliver Death’s vengeance upon a target who, against her will, has stolen her heart?
WHEN THE VILLAIN GETS THE GIRL
When the villain gets the girl in a book, it typically means that the villain has found a way to manipulate, beguile, or gain the affections of the female lead character, usually for nefarious purposes. It may also indicate a happy ending for a once seemingly irredeemable antagonist.